Welcome to 360 Months

This is a space for sharing experiences and feelings around turning 30. From people who are approaching this milestone with anticipation and uncertainty to those who have recently passed the 3 decade mark with a warm embrace, 360 Months is an opportunity to challenge dominant social expectations of this marker of adulthood. It is also a chance to ignite new conversations amongst peers in the struggle to make sense of, and even celebrate, growing older.
Showing posts with label milestones. Show all posts
Showing posts with label milestones. Show all posts

Sunday, April 3, 2011

Permission Granted: Mary Tasillo

I met Mary Tasillo through our amazing mutual friend Johanna Marshall. After both growing up on Cape Cod, Johanna and I surprisingly discovered that we had become neighbors in West Philadelphia a couple years ago. I don't know Mary well, but from the various dinner parties we've shared in Johanna's kitchen I can attest that she is a genuinely good person. Mary seems to always have a really cool project going on too. I'm excited about checking out Soapbox, her new independent publishing center.
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I was a pretty early starter on figuring out a direction in life – not that I ever could have pictured present day Mary as 8-year-old Mary, or even 15-year-old Mary. Of course, 15-year-old Mary did not actually think she would make it past 20. She could not envision it at all. Perhaps this has freed me to feel right on target with everything I have been doing surrounding 30, since I had no notions of 30 at such a formative age.

But the pieces of me that encompass creativity, text, image-making, hand crafting, and a life surrounded by books were present early on, and coalesced after a fashion in college (by which point I’d figured out that life got better year after year and that I was definitely going to see life well past twenty). This sent me to graduate school at 24 to get an MFA in Book Arts and Printmaking. In a way this early clarity only delayed the floundering, because to pursue an arts degree is never to pursue any kind of clear career path. Which is how I found myself in and out of various jobs, interspersed with taking time off from working, throughout the latter part of my twenties, while continuing to make art, land the occasional residency, and present at arts conferences. At twenty-eight I landed a day job doing administrative work for an architect. Architects are workaholics. They don’t take any time off, and they don’t like it when you do (even though, as creative types, they like that you are an artist). By twenty-nine, I was plotting my escape from the day job for the architect. Of course, this was right after the economy tanked, and while I was very lucky to still have a job working for an architect, I was going to be hard pressed to get, for example, a job at an arts non-profit.

I’ve never been one to set practical goals. If I were, where would I be? You have to think about where you’d like to be and point yourself towards it. Thus, while working forty hours a week at a desk, and juggling occasional teaching gigs besides, I set a goal that at 30 I would make a transition into teaching and freelancing. Also, sitting at my desk one August day, I decided to start a community print space and zine library. I’d been talking around the idea with various folks for several years now, but had lost the conviction I’d had straight out of graduate school that I could be involved in making this a reality. I’m not sure what shifted that day in the late afternoon sun, but I decided that goddammit, I was going to make it happen, however that might look.

Low and behold, a few months later I met someone else who shared the vision of the community space. “Well,” we each thought, “I’m about to turn thirty so it seems like I can do something like this.” Permission granted. Permission granted to do big things and be taken seriously about it.

So at thirty, we bought a house together and started creating the groundwork for a community space on the first floor.

That same summer, at thirty, I landed enough teaching work to launch me out of the office job into the world of adjuncting and freelance. Maybe this is backwards, in certain circles, to be leaving stability and health insurance for something more piecemeal and unfinished, a choice of process over product. But in my view, the ability to keep the support under one’s feet while walking this path is a thing of beauty (if awkward at moments). Permission granted.

Thus, still early in Year 31, I find myself winding down after the inaugural event, a zine library opening and reading, for The Soapbox: Philadelphia’s Independent Publishing Center. Not even two years after that decision one August afternoon, the community print space is a reality – even if we are not yet 100% set up for community printing. My jobs consist of a combination of editorial work, teaching, book conservation, and art cataloging. And it is not the wisdom, but the permission of 30, that allowed all this to happen. (Sure, plus some leg work I put in through my twenties. The work, experimentation, and exploration I did created momentum.) Rather than serving as a benchmark, 30 has allowed me to let go of any notions of being finished, in terms of life planning and choosing a path. What a miracle to find life still getting better year after year, when 15-year-old Mary, who was finding life as an adolescent to be more difficult each year, could not envision life past 20.

Saturday, April 2, 2011

Fork in the Road: Jared Souther

I have known Jared Souther for 17 years. We met in Mr. Bruce's 7th grade science class and quickly became good friends. We would talk on the phone for hours about music and, by our freshman year at Nauset Regional High School, we started a band together with our friend Adam Wentworth on drums that lasted into my first year of college. It would be impossible to do justice to this experience creating music with Jared, our lasting friendship, and how punk rock changed our lives, in the limitations of this space. I'll just say that all of this is completely inseparable to who I am today. Jared is one of the most talented and inspiring people I've known. He has continued to write music and play in bands all of these years, and something tells me that he won't be slowing down anytime soon.   

Check out Jared's current band Revilers online at: Revilers.net
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Besides the wrinkles around my eyes, the several remaining hairs on the top of my head, and the pain in my knees every morning, I feel pretty much the same as when I was a teenager. I will be turning thirty on May twenty-third of this year and other than it being a nice even number that our culture has declared a milestone, it doesn't feel much different to me than any other birthday. 

I remember at the beginning of my freshman year in high school, we were asked to write a letter to ourselves that we would get back as seniors. Waiting four years seemed like a lifetime back then. After all, four years prior I was in elementary school. Oddly enough, I still have the letter today, a whopping fifteen years later. In it I wrote about looking forward to playing my first show with my first band, Generic. I wondered if I'd still be playing shows at the old age of eighteen. Back then I owned a cheap 4-track cassette recorder that I learned to make demos on. At that point I only recorded one band, but I was very concerned that I would still be involved in recording. It was also in utter importance that I had at least one tattoo. When senior year finally rolled around, I had no problem meeting such strenuous goals. Funny that nowhere in the letter did it mention college, high school, or what I wanted to be when I grew up. I was only concerned with playing in a band, recording music and getting tattooed. Oddly enough, reading this letter again at almost thirty, I am concerned with playing in a band, recording music, and giving tattoos. Oh, how I've matured so much. 

Of course there are some things that have changed. Today, I find that things like quality vacuum cleaners bring me happiness. I now embrace the quiet natural beauty of Cape Cod's off season. I even have a wife (which is still a shocker to most of my friends and family).

For me, thirty is a confusing fork in the road, representing where you're currently at in life, and where you think you're supposed to be going. Naturally, by growing up, some things change. I truly enjoy coming home to my wife and going for a walk, or having a quiet evening watching a movie, etc. But I also still like getting in a shitty, rusted van with my friends, driving to an unknown city, meeting new people and playing loud, abrasive punk rock. I see no problem living what some consider a contradictory lifestyle. In fact, it makes me extremely happy because everything feels fresh. The problem lies in the perception of others that say, "You're thirty now, it's time to get your shit together." 

Whenever one of my peers outside of the punk scene finds out that I'm in a band, the first thing they ask me is how much money I make. When I tell them that we rarely break even, they then ask why I bother doing it at all. I usually follow up by asking them how much they make golfing with their buddies and what steps they're taking towards going pro. Something happens to people in their adult years causing them to lose their passions in life. I play music because I enjoy creating, being in different places, hanging out with friends and meeting new ones that share a similar outlook. The fact that I have to explain to people that those reasons are more important to me than money, is disappointing. 

When you're young you think of thirty as the time when the fun is over and you've got all your ducks in a row. But after talking to many of my peers, I've realized a lot of us don't want the fun to end and we still don't know what the hell we're doing. Is that so awful? 

Still, the mental fork in the road does wear me down. As a teenager and through my twenties I always wanted to do so many things with music and art but there was a lot of trial and error along the way. It seems that now, as I approach turning thirty, I finally have a clear vision of where I want to go with my creative endeavors and exactly how to make it happen. But then I hear all these outside voices......."It's never too late to go to college"..."When are you buying a house?"..."When are you having a baby?"..."Just put it on a credit card"..."Oh, you haven't gotten over the punk phase yet?"....And just as I'm about to tell the world to fuck off and leave me alone, that I'll do whatever I want, I realize that rent is due in four days and my car has a flat tire. 

Overall, I don't have a clue as to what a thirty year old is supposed to be doing, nor do I care. Maybe it's time I grew a mustache? I feel that there is no master schedule. No due date on life. But for some reason we, as a culture, put these expectations on ourselves "by the time we're thirty." The only given is death. We need to live our lives our own way, in whatever order we choose, and just except the fact that humans are a bunch of screw ups and that's OK. The serious stuff will always be there whether we want it to be or not. I'm more concerned with not forgetting what makes me happy even if what makes me happy may change as I get older. Sometimes I wonder how me as a kid would view myself today about to turn thirty. I'm guessing I wouldn't suck in my own eyes. That's good enough for me.  

Tuesday, March 29, 2011

Existential Crisis, Please Go Away: Timothy Sylvia

After being part of the Cape Cod underground music scene in the mid/late-90's, it's nice to know that there are still good people fostering the local scene and documenting its history. Tim Sylvia is one of those people. I didn't know him really well back in the day, but I can still picture him right up by the PA as my band Social Virus played our final shows at the Orleans Juice Bar. Tim was always super supportive and enthusiastic of our music and other bands we played shows with. In addition to playing in a number of bands himself over the years, Tim has been setting up shows, running a distro, and putting out records through his From the Heart Media. A compilation of Cape Cod bands, past and present, is currently in the works. Music communities everywhere need more Tim Sylvias.  
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Warning: This could get messy.

I'm 28, and I'll be 29 in August. At 28, my life is not what I was expecting and/or hoped for. Probably a token and reoccurring statement. Go figure. All I know is I want this existential crisis to go away. I guess that's what you call it. In the current scheme of the news and events of the world, it's hard to decipher if the doom you are experiencing is because of how scary the world is, or because you're actually experiencing a personal existential crisis. I'm having a hard time, that's all I know. If you're a young, creative, or generally just a forward-thinking person, regardless of any standard, I think you are aware of what I am saying. 

Where do we go from here? What can I do? I don't need to touch on specifics. Too many thoughts, too many questions in my head all the time. Anxiety. Do you think the existential crisis 30 years ago was what it is today? It seems like mine is possibly the worst that could come out of my family history. Look at me?  I can't even keep it together. What I'm trying to get at here is I have a hard time even reflecting on myself at the age of 28, because everything I'm personally thinking about is much bigger than me. Existentially I mean. I need to be more selfish, in my own head at least. I need to be more creative. I need to be less afraid. I need to try and be HAPPY! I guess I can try to reflect on myself.

Let's start with my health. I'm a 350 plus pound man with diabetes. Yeah, I know. I've got to do something about this. I really do. That one sentence, I guess... is my whole real existential crisis. If I don't do something, I may not even exist. That's definitely the most important something-to-think-about sentence in my whole life. I'm always working on it. I swear.

Love, will I ever find you? I'm already very damaged by you at 28. Every time I experience love and it goes away, I just feel more lonely the next time I find you gone. Alone and hurt. So hurt. So hurt that I'm afraid of you. I swear I'll never let this happen to me again, every time. Very cautious about you, love.

I don't consider turning 30 a milestone at all, however what one might have accomplished by the age itself. I guess the only standard for this is set by you, and anyone's opinions you value or take into consideration. Like your parents. I oftentimes think I would have taken bigger, more personally risky and controversial leaps of faith had I not worried about what my mother would have thought about what I was doing for the last 28 years. I guess that makes me a momma's boy, too regretful, and more boring than a family-less me would of been. Which are two things I doubt my mother would have wished for me. I love my family, and I love you, Mom.

Some things I want by the time of my 30th birthday are to be out of my head more often. I want to be healthy or healthier, anyhow. I want a better world to live in, with my help. To take bigger leaps. Huge leaps. Last but not least, I want to be out of this existential crisis. The keyword, and I think the general consensus and theme about turning the age of 30, is change. I need change, we need to change.

Monday, March 28, 2011

The Rocking 30's: David Meek

I don't remember the moment we met, but my first memory of Dave Meek is crashing on sleeping bags together in an empty office in Quebec City. That was 2001, and we were there with dozens of other Bard student activists to protest the dubious Free Trade Area of the Americas (FTAA) meetings that turned the city into a walled off, feudal warzone. Since then, we have shared many other memories together, at Bard and beyond, and have been close friends for a full decade now. In 2005, I introduced him to another dear friend, Jo Weaver, and two years later I was a groomsman in their wedding. I continue to cherish my friendship with both of Dave and Jo. They will always feel close by, even if they are perpetually thousands of miles away.  
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Having turned 30 going on two years ago now, it's interesting to reflect on what at the time seemed like an ominous and exciting milestone. I very distinctly remembered all the excitement and buildup surrounding the passing of that day (and its unsurprising but still a surprise “surprise party”). And all my friends joking that I was officially over the hill.....

At the time, married, in the midst of a Ph.d. program, with a house, dog and mortgage, I wondered whether they were right....(was I over the hill?) and then I decided, and still believe, that the late 20's/early 30's sure feel like I'm dab smack on top of the hill. And damn the view is good!

For me, this time has been one about perspective. Not so much a perspective focused on the immediate moment as perhaps those heady early 20s were, but about a longer perspective in which the present is very much valued, as the best time one has available to achieve one's dreams. To begin with, each of those previously mentioned things, which some might see as artifacts of dreaded Responsibility, including our most recent decision to have a baby while living in India, I see as choices made explicitly in the present with a longer perspective in mind (check out our blog for critical ruminations on the intersections of family life and academia). While each of those responsibilities might be shied away from, they've all had incredibly positive aspects, such as having a house has given me the opportunity to tear up the front yard and set up a massive urban garden.

From my perspective, those late 20's/early 30's have felt like a prolonged music jam session. Whether it is being semi-permanently nomadic, living in Brazil and now India as Jo and I conduct our Ph.d. research, or explore building community through urban gardening, it's been one exciting ride. Partially, these last few years have felt like an ongoing jam, because I made the decision that I was tired of wanting to learn to play music, and there was no time like the present to make good on that interest. Since going down the musical road, playing music has become an integral part of my daily life, and there is always three or four instruments within easy reach. All of those musings are to say, the top of the hill is great, but make sure you bring an instrument to provide your own theme song.

Sunday, March 27, 2011

Demobilizing at 30: Ben Webster

I know Ben Webster through the Wooden Shoe. He has been the driving force for our weekly movie night, bringing his cinematic expertise and political savvy to the series. Ben is equally friendly as he is brilliant (as you will soon discover), and I'm sure one hell of a librarian too.
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It is worthwhile to reflect on life’s milestones, and when hitting the big 10-year intervals, it seems obligatory. Everyone approaching 30, as I did last month, is barraged with outside inquiries. I will pass. This personal reflection is valuable, but I have done it in private, so will try a different tack here. Perhaps a prejudice hardened over three decades is that against gratuitous public navel-gazing; I believe you used to be able to call it petty-bourgeois individualism. Instead I want to sketch a few thoughts relating the anxiety (or fascination?) of turning 30 to our particular moment in 21st century, postfordist capitalism. 

First, a common-place condition at 30 among people I know is a declining material standard of living vis a vis our parents. 30 is a convenient generational marker; it is generally the age when people are supposed to couple off, have kids, and take out a mortgage; it is often about the age our parents were when they had us. Much is made of the supposed moral failings of my generation, always referencing how many of us have boomeranged back to living in our folks’ basements. This is mostly bullshit. We can look instead on the sweep of capitalist restructuring from 1981 to today, in short hand, neoliberalism. This has meant the decimation of social services, stagnation or decline in real wages, rise of debt as a means of maintaining consumer spending and worker discipline, deindustrialization in the US, and the crushing and marginalization of people’s movements. If 30 is the new 20, it has little to do with immaturity, and everything to do with a political economy particularly harsh on young adults. Whereas stability could have been expected by a hard-working, educated 30 year old of generations past, now un(der)employment, crushing debt, and precarious living conditions are the norm. Many of my peers have desperately returned to the university or half-baked entrepreneurial gestures, usually only buying time until the next round of bills come due. The current global crisis has only tightened the screws. This obviously provokes anxiety when middle age is around the corner.

The ideological notion of 30 and of the 30 year old self may continue on autopilot, but the material content is probably gone for good. Yet the flip side (and, historically, one may argue, the root cause) of neoliberal restructuring is the expansion of alternative, autonomous strategies of social reproduction. We may include here collective and co-housing, subversion of the gendered division of labor, independent food production, alternative child-rearing, all-ages venues, etc. The left and its milieu continually elaborates and experiments with these practices, many of which insinuate within mainstream society. The barriers between age-determined divisions, ie 20's & 30's, “student “ or “parent,” tend to weaken. In other words, through the autonomous delinking from capital’s ascribed practices of reproducing labor, we decalibrate age from the standards of capital. 30 as a fetishized, anxious omen- a superego threat to remain passive and isolated, ie successful in capital’s eyes- is possibly weakened by collective rejections of capital’s structuring of our psyches, bodies, and lives. The categories (child, young adult, middle age, senior, 20's, 30's, 40's, etc.) of the life cycle read about in psychology and sociology text books, I conclude, are as much positivist suggestions for subordination to capital’s domination as they are physiological/psychological realities.

So although much of the significance of turning 30 has to do with individual perception, I also feel that it has a small ideological function and material relation to the world. My specific perception of turning 30 in 2011 is inseparable from the cycle of struggle which I began contributing effort to in high school. I suspect this is true of all those coming of age in a movement. Seattle went down my first semester in college, I reached drinking age in time to drown my sorrows during the invasion of Iraq. My participation in the dynamic cycle that is now commonly called the alterglobalization or global justice movement, its evolution and waning, is inseparable from my sense of adulthood, of communal fullness and isolation, of confidence and insecurity. Calendar age loses its hold involved in a movement in close contact with senior citizens and high school kids working for common goals. The waning of a movement hurts and drains, but new expressions of resistance always emerge. I’m no longer a student activist, but now a union member spoiling for a fight, to take one example; Seattle and Iraq are hazy memories, but Egypt and Wisconsin revitalize. If aging and its milestones are associated with resignation, cynicism, and declining expectations, then vigorous collective struggle for a better world may be an elixir of youth. Perhaps my optimism won’t hold up, but this is what I strive towards at the very least as I enter the cultural phenomenon that is one’s 30's.